He even tells Bashir that the Romulan heart itself is grey, " …and altogether appropriate for such an unimaginative race." As Bashir tries to trick him into revealing his mission on Romulus, Garak quickly changes the subject back to Bashir, asking what his role is going to be in the upcoming conference. " The buildings, the clothes, the people," he says. He says it was one of his most enjoyable covers, though the planet itself was predominantly gray. They are discussing Garak's time on Romulus, where he once posed as a gardener while on a mission for the Obsidian Order. On the Promenade, Doctor Bashir and Garak exit a turbolift. Garak explains the opportunity for espionage to Doctor Bashir Kira draws the meeting to a close, reminding everyone of next week's meeting before realizing that the Senator will be attending a medical conference then, and so wishes her a safe trip to Romulus. Though noticeably annoyed, Worf refrains from comment.
Cretak politely says she will postpone shore leave for her crews, taking a further verbal snipe at the Klingons.
Then Odo, who has been quiet up until this point, raises concerns about shore leave, advising it would be a very bad idea for Klingons and Romulans to be mixing on the Promenade. Kira assigns Worf the duty of informing him. Kira calms the quarreling and ascertains from O'Brien that the earliest he can get the warbirds into docking bays for repair would be tomorrow but that he would have to put off work on the Hornet and the Rotarran to do it that quickly, and General Martok won't be happy that his flagship was bumped from being top priority. Some slight arguing arises between Cretak and Worf over who has priority of using the station's repair facilities – the Klingons or the Romulans. In Deep Space 9's wardroom, Colonel Kira is presiding over the weekly meeting between Romulan Senator Cretak, Lieutenant Commander Worf, Chief O'Brien, and Constable Odo. Projektrecords.bandcamp." Odd that the Klingons seem to always have the greatest need." album/star-s-end-2015-silent-currents-4Įarth Luminous (with Byron Metcalf) 🌀CD $10 Sale 🌀 Winter Tide / Live at SoundQuest Fest 2021 Wollo’s signature use of shining, consonant chord structures, tender melodic phrasing, and masterful sound design give Cinematic its adventurous and vibrant character.Īll songs, edited, remixed and remastered in 2017.Ĭover artwork & design by Michael R Pletz credits
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Aural landscapes that possess a sense of drama, full of feeling and powerfully evocative.” Sometimes very rhythmic, sometimes very ambient and abstract. They all have a boundless, sonorous and textural character. I have a lot of material from these years in my archives after some intense studio sessions and reflecting back, I found that these tracks sort of belonged together. These pieces show the depth and beauty of the process.
Often this makes the music more passionate, adventurous and storytelling than what I usually compose. “It forces me to take different artistic solutions when diving into other’s creative worlds. “Scoring for other media is a quite different experience from composing for album releases,” Erik reflects. These are soundscapes created to complement a story or an event, yet still possess their own self-containing inner life. The expansive rhythmic sequencer-based sections intersperse with ambient zones and soaring electric guitar textures. The eight song collection of synth and guitar-based melodic electronic/ambient music guides the listener through diverse, cinematic perspectives. The eight song collection remixes and blends previously unreleased material (from 1998 through 2003) created as soundtracks for video, documentary film and multimedia.
Cinematic’s nearly fifty minutes of melodic mesmerizing electronic music is shimmeringly sweeping and emotionally engaging.
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